Los rios canvas11/30/2023 ![]() ![]() "Is this ghostly geometric figure a lens through which the world can be reinterpreted?" the artist asks. In his 2012 Untitled video from The Ghost of Modernity, Ríos references high Modernism-with direct nods to John Cage, Marcel Duchamp, and Donald Judd-in the midst of the Mexican desert. For example, his videos of spinning tops-trompos-use the childhood game of tops as a backdrop for a meditation on the transience of life and the mechanics of power. Since the early 2000s, Ríos has also delved into the medium of video to create symbolic narratives about human experience, violence, and mortality. Marking the 500th anniversary of the "discovery" of the Americas, the maps indicate long histories of power and colonial experience, and they reference traditional Indigenous arts in the Americas, including the Andean quipu. In the 1990s, he began creating a series of maps, which he carefully folded and pleated by hand. Since the 1970s, he has made work about the concept of the "Latin American," using this idea as both an artistic strategy and a political problem. In his work, Ríos pairs a rigorous conceptual approach with a meticulously constructed and often handmade aesthetic. He subsequently relocated to Mexico and now divides his time between the USA and Mexico. Miguel Angel Ríos studied at the Escuela de Bellas Artes in Buenos Aires before moving to New York in the 1970s to escape the military dictatorship in Argentina.
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